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Carmilla is an 1872 Gothic novella by Irish author Joseph Sheridan Le Fanu. A foundational work of English-language vampire literature, it predated Bram Stoker's Dracula (1897) by 25 years. First published as a serial in The Dark Blue from 1871–72, the novella subsequently appeared in Le Fanu’s short story collection In a Glass Darkly in 1872. The story of a young woman pursued by the vampire Carmilla, the work popularized the lesbian vampire trope. Since its publication, Carmilla has often been regarded as one of the most influential vampire stories of all time.

The work is narrated by Laura, a young woman living in a secluded Austrian castle, who becomes the object of both affection and predation by the enigmatic Carmilla, leading to a complex and dangerous relationship marked by both romantic desires and vampiric violence. The narrative explores themes of sexual identity, the supernatural, and the tension between innocence and corruption, while maintaining a sense of dread and suspense.

The novella was one of the first works of Gothic fiction to portray female empowerment, as Carmilla is the opposite of male vampires, since she is actually involved with her victims both emotionally and physically. In the novella, Le Fanu challenges the Victorian view of women as merely being useful possessions of men, depending on them and needing their guardianship. The character is also one of the first fictional figures to represent the concept of dualism, which is presented in the story through the repeated contrasting natures of both vampires and humans, as well as lesbian and heterosexual traits. Critics have stated that Carmilla exhibits many of the early traits of Gothic fiction, including a supernatural figure, an old castle, a strange atmosphere, and ominous elements.

Carmilla deeply defined the vampire fiction genre and Gothic horror in general, and established Le Fanu as a major writer in the genre. The novella directly influenced later horror and mystery writers such as Bram Stoker, M. R. James, Henry James, and others. Due to its popularity, the work has been anthologised, having been adapted extensively for films, operas, video games, Halloween plays, comics, cartoons, radio, and other media since the late 19th century.